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In director Tim Burton's sequel to his successful BATMAN (1989), the Caped Crusader (Michael Keaton) is pitted against the demented, ravenous Penguin (Danny DeVito), a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a 'power' hungry capitalist villain Max Shreck (Christopher Walken). As the two criminals plot to gain domination over Gotham City, BATMAN must plot to stop them. In the highly stylized BATMAN RETURNS--complete with dark, Gothic architecture and moody lighting--Batman (and his alter-ego Bruce Wayne) is thrown a third enemy, a terrible distraction: Catwoman (fearlessly and fabulously played by Michelle Pfeiffer). She is the slinky, sharp-clawed alter-ego of Shreck's secretary Selina. Batman must overcome his own dark past, and his present love entanglements, to rid Gotham of its evil enemies, this time with even more intricately designed sets and tongue-in-cheek humour, making BATMAN RETURNS an action-packed, darkly fun adventure. |
Radio Times
Director Tim Burton refused to lighten up for the second of the Batman movies (we would have to wait for the Joel Schumacher-directed Batman Forever for that) and the result here is another moody, gloomy and occasionally perverse portrait of the dark knight. As with the first of the series, the sets are suitably stunning, and, while action may not be Burton's strongest suit, there are still some dazzling set pieces and a whole range of new gadgets. The only real problem is that, as in Batman, the villains bag all the best lines — Danny DeVito's tragic Penguin, Michelle Pfeiffer in that suit as Catwoman — with poor old Michael Keaton's Bruce Wayne left to look vaguely troubled while his alter ego Batman bashes the baddies. Even though fans of the 1960s TV show may reject its brooding atmosphere, this is still impressive stuff.
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Halliwell's Film Guide
More comic-strip story-telling, done as a succession of set pieces, with the towering design of the city and its sewers overshadowing the performances.