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Saathiya (2002) Certificate 12

Saathiya

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Rated 3.5 stars
Average rating
(69%)
 
Starring: Vivek Oberoi | Rani Mukerji | Tanuja
Director: Shaad Ali
Studio: Yash Raj Films Home Entertainment
Run time: 138 mins
Genres: Bollywood
Languages: Hindi
Subtitles: English
Released: June 21, 2001

Running away from home can't keep a couple together. A signed paper can't keep a couple together. Love can. While for most love relationships, marriage is the "goal", the fact remains that marriage is just a beginning...

Aditya (Vivek Oberoi), a young middle class boy, meets Suhani (Rani Mukerji), a medical student and falls head over heels for her. He pursues her relentlessly in the local trains of Mumbai. Suhani, brushes off Aditya's overtures, because she wants to become a successful doctor and do her parents proud. However, Aditya's persistance pays off and she finally accepts. But opposition from her parents forces the couple to part ways. The seperation is unbearable and they get married in secret. Once they are married, is where the real story begins. The bliss ends and reality sets in with misunderstandings and quarrels in tow. Where do the newlyweds go from here? Will Aditya and Suhani understand the true meaning of being a "Saathiya"?

Saathiya continues on, from where most movies end. In this film all stagse of love are explored - from the infatuation stage, "when a couple things they are in love" right through to "when a couple discovers the true meaning of love".

Radio Times

With composer AR Rahman and lyricist Gulzar collaborating on the score and Shah Rukh Khan lending stellar support, Mani Ratnam's longtime assistant Shaad Ali has every chance of establishing his solo credentials with this reworking of his mentor's Tamil hit, Alaipayuthey. Rani Mukerji stars as the dedicated Mumbai medical student whose life is transformed when she falls for fellow commuter Vivek Oberoi. But, no sooner are they married than capricious fate tears them apart and a heart-tugging journey begins. This is very much the polished article we've come to expect from producer Yash Chopra, but Ali doesn't yet possess Ratnam's directorial finesse.

Highest rated reviews

1 out of 1 people found the following review helpful:

Rated 0.0 stars
Rubbish Rubbish

A Customer from Berkshire, 5th March, 2007

I can not think of words to describe how bad this film is. It is aimed at under 5 years old humour

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1 out of 1 people found the following review helpful:

Rated 5.0 stars
beautiful but moving

A Customer from --, 25th November, 2006

brilliant all in all. loved the songs. i love all yash raj films

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Rated 4.0 stars
Very sweet

dumbolives from , 8th February, 2010

I thought this was quite a believable portrayal of a man and wife's relationship after the 'honeymoon' period has ended. The actors were very good together and the story was quite straight forward and easy to follow. An enjoyable few hours of viewing.

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Rated 4.0 stars
Good movie

lo from , 4th June, 2009

A really great feel good love story worth watching when nothing else to do.

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Most recent reviews

Rated 3.0 stars
Great Movie

kaits_lw from London, 22nd November, 2008

This movie has a surprising twist towards the end totally unexpected! Also a very nice song Saathiya :) Its well worth watching.

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Rated 4.0 stars
BrownPolar Review: A Master Class in Modern Cinema

BrownPolar from , 7th April, 2008

It is not often that I watch a Bollywood movie in whole, simply because they are usually so embarrassing to watch even alone! I just watch them for music and for the, so far unmatched, choreography! But this film just captured my imagination and kept me arrested till the end. The only other Hindi films that I can speak of with similar admiration are ‘Mumbai Se Aaya Mera Dost’ [My Friend from Mumbai], a widely misunderstood and undervalued Indian gem, the Raj Kapoor classic, ‘Jis Desh Mein Ganga Behthi Hai’ [The Man from the Ganges Confluence] and recent work by maverick and pioneering art house directors of the modern India like Nagesh Kukunoor [‘Iqbal’ (2005)], Madhur Bhandarkar [‘Page 3’ (2005)] and Rakesh Omprakash Mehra [‘Rang De Basanti’ (The Colour of Sacrifice) (2006)]. Experimental in almost all departments, but handled by the whole crew and the cast, including the first time director Shaad Ali, with great virtuosity and panache, this is a film that everyone should see, if not for anything but just for the sheer, unforgettable experience of the breathtaking cinematography, the brilliant location selection, masterly costume, art and set design, and above all, the painstakingly executed, digital editing and subtle video effects that puts Hollywood studios to shame. If you are now encouraged to see this movie, watch for the way the camera meaningfully mimics and follows the act as if the viewer is there and sharing the experience of the scene. This filming and editing effect is so subtly handled by both the highly experienced cinematographer and the editor so that the viewer’s eyes moves with the camera so effortlessly, and after a short while, get accustomed to it. The effect is most prevalent though with songs and choreography, which highlights the composer, A. R. Rahman’s quite apparent contribution to the success of this film. The highly acclaimed and surprisingly very young composer A. R. Rahman, easily the Alberto Iglesias of India, has single-handedly pioneered a new kind of world music, mixing the diverse traditional and folk music of India with both western and eastern classical and popular music. The result is a unique and continuously evolving sound that has reverberated around the world to such an extent that it has influenced a wide range of musicians around the world. ‘Saathiya’ is an excellent example of how his music influences the look, texture and feel of a film, very similar to that of masters like John Williams, Tan Dun and, in particular to the much cherished collaborations between Zbigniew Preisner and the late master Krzysztof Kieslowski. It is hard to get the 9 songs of this film out of your head once you watched the movie, not just because A. R. Rahman is a genius, but because the collaboration between him and the rest of the crew and cast has been just perfect. As an added bonus, the film is much shorter than the usual Bollywood formulaic crap, and, because it has the ability to capture the viewer’s attention and hold it to the end, the time just flies while you are having fun. It also is a light-hearted attempt to examine the lives and loves of the youth of the modern and very westernised India, and doesn’t bother the viewer too much with too serious and pretentious issues of life and the universe! Watch it and you wouldn’t regret it, except for the last scene!

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