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My Darling Clementine (1946) Certificate U

My Darling Clementine

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Rated 3.5 stars
Average rating
(74%)
 
Starring: Henry Fonda | Victor Mature | Walter Brennan | Linda Darnell | Cathy Downs | Tim Holt | Ward Bond | Alan Mowbray | John Ireland | Jane Darwell
Director: John Ford
Run time: 92 mins
Genres: Action/Adventure | Drama
Languages: English
Released: (unknown)

One of the greatest movie Westerns, John Ford's My Darling Clementine is hardly the most accurate film version of the Wyatt Earp legend, but it is still one of the most entertaining. Henry Fonda stars as former lawman Wyatt Earp, who, after cleaning up Dodge City, arrives in the outskirts of Tombstone with his brothers Morgan (Ward Bond), Virgil (Tim Holt), and James (Don Garner), planning to sell their cattle and settle down as gentlemen farmers. Yet Wyatt, disgusted by crime and cattle rustling, eventually agrees to take the marshalling job until he can gather enough evidence to bring to justice the scurrilous Clanton clan, headed by smooth-talking but shifty-eyed Old Man Clanton (Walter Brennan). Almost immediately, Wyatt runs afoul of consumptive, self-hating gambling boss Doc Holliday (Victor Mature, in perhaps his best performance). When Doc's erstwhile sweetheart, Clementine (Cathy Downs) comes to town, Earp is immediately smitten. However, Doc himself is now involved with saloon gal Chihauhua (Linda Darnell). The tensions among Wyatt, Doc, Clementine, and Chihauhua wax and wane throughout most of the film, leading to the legendary gunfight at the OK Corral, with Wyatt and Doc fighting side-by-side against the despicable Clantons. Its powerful storyline and full-blooded characterizations aside, My Darling Clementine is most entertaining during those little humanizing moments common to Ford's films, notably Wyatt's impromptu balancing act while seated on the porch of the Tombstone hotel, and Wyatt's and Clementine's dance on the occasion of the town's church-raising. Based on Stuart N. Lake's novel Wyatt Earp, Frontier Marshall (previously filmed twice by Fox), the screenplay is full of wonderful dialogue, the best of which is the brief, philosophical exchange about women between Earp and Mac the bartender (J. Farrell MacDonald). The movie also features crisp, evocative black-and-white photography by Joseph MacDonald. Producer (Daryl F. Zanuck) was displeased with Ford's original cut and the film went through several re-shoots and re-edits before its general release in November of 1946.~ Hal Erickson, All Movie Guide

Radio Times

In this classic western, Henry Fonda's Wyatt Earp and Victor Mature's Doc Holliday are heading for that close shave at the OK Corral. Owing rather less to historical accuracy than more recent movies — Tombstone and Kevin Costner's Wyatt Earp — this John Ford picture boasts some fine sequences. The best is a dance in an unfinished church, a fine symbol of the “garden being fashioned from the wilderness” by the strong-arm methods of Fonda's self-righteous lawman. Filmed in expressive black-and-white against Monument Valley backdrops, the picture combines both the grandeur and the folksiness so typical of its director.

Rating of 3 stars out of 5
Halliwell's Film Guide

Archetypal Western mood piece, full of nostalgia for times gone by and crackling with memorable scenes and characterizations.

Highest rated reviews

6 out of 6 people found the following review helpful:

Rated 5.0 stars
The very, very best

Savage from from London, England, 23rd January, 2007

More than just a western, this is actually a reflection on the creation of an entire civilization. When we first meet Wyatt Earp he is an unshaven, down-on-his-luck cattle man, struggling with a dying herd across to California. By the end, Shakespeare has arrived in Tombstone, music, too, and the beginnings of a church. In defeating the Clantons, Earp and his brothers have changed the town (and the region, and the country) forever. Somewhere in the middle stands poor Doc Holliday (Victor Mature's greatest performance, bullied and beaten by the director into actually acting), torn between the two sides and knowing that his time is nearly up. Ford portrays all this through a series of episodes, rather than a flowing narrative, and the result is probably the closest the American movie ever came to the art film. The result is the purest cinematic gold, and one of the very best films of all time.

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3 out of 3 people found the following review helpful:

Rated 5.0 stars
Great

A Customer from Edinburgh, Scotland, 28th November, 2006

If you like old westerns you'll love this

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2 out of 2 people found the following review helpful:

Rated 5.0 stars
Great Western

A Customer from Belfast, Northern Ireland, 26th July, 2006

Spare, stylish, full of action, terrific photography, great acting, directed by one the greatest directors, John Ford ..everything a Western should be but, alas, too often isn't

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2 out of 2 people found the following review helpful:

Rated 4.0 stars
classic western

DA from leeds, 16th May, 2006

Probably the best Wyatt Earp film.

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Most recent reviews

Rated 5.0 stars
Darling Clementine

A Customer from Mars, 3rd March, 2010

A really good version of the OK Corral/Wyatt Earp legend

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Rated 3.0 stars
Glass Half Empty Optimism

A Customer from Wiltshire, 1st January, 2010

One of the stranger examples of Fords romantic optimism of the American West, My Darling Clementine is a Wyatt Earp story that is a “Law and Order” Western with a hint of the “Cattle Drive” Western. Wyatt Earp (Henry Fonda) and his brothers get involved in the problems of a small town called Tombstone while passing through on a cattle drive. Their circumstances are complicated, and when Doc Holliday’s fiancé Clementine pays him a surprise visit, matters are complicated further. I feel Ford expresses a slight glass half empty optimism about the future of America with this film. The town’s name of “Tombstone” does not give an optimistic outlook. Although there are suggestions of a more positive future, in the building of the town church and Earps role of bringing of order for example, there is always a shadow of a doubt. Even the ending does not quite reach the optimistic high we would expect. Henry Fonda’s character is certainly not a historically correct account of the man known as Wyatt Earp, but we do not expect historically correct from John Ford. We expect a good and entertaining story, with strong moral values, and all in all that is what we get. With classic Fordian montage of Monument Valley the compositions express the romantic visions of Fredric Remington paintings that sell us the glorious history of America as Ford would like us to remember it. It has all the characteristics of a good Ford film. The ending, as I have mentioned, is perhaps a little disappointing from an entertainment point of view, but it still suggests the possibility of a future beyond the films end. It certainly sells the romantic ideals of the genre as we would hope. It is a film worth watching though the audience is left wanting something more at the end.

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Rated 4.0 stars
DARLING CLEMENTINE

A Customer from EDINBURGH, 20th July, 2009

Classic western , full of memorable scenes and brilliant performances from henry fonda and victor mature . Its in the top 10 best westerns ever !

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Rated 4.0 stars
A Classic

GaryI from , 10th May, 2009

This is probably Ford's finest example of his maxim, 'when the legend becomes fact, print the legend'. The story of Wyatt Earp and the gunfight at the OK Corral told with no adherence to any of the true facts. Earp is the archetypal western hero, and all the Ford trademark mythological images and view of the west are present. This is a classic of the genre made by a master. Probably Fonda's best role in a Ford film too. If you love cinema then you must see this.

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