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Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world.~ Linda Rasmussen, All Movie Guide |
Radio Times
Edward G Robinson stars (brilliantly) as a diffident cashier with a termagant wife (Rosalind Ivan) and limited means, whose only pleasure is painting in his spare time. He falls in love with Joan Bennett who, under the sway of her sadistic boyfriend Dan Duryea, leads him into a tangle of deceptions, embezzlement and murder. An effective noir drama, directed by Fritz Lang, a master of the genre, the movie is grim, downbeat and well-played, with some imaginative and unusual plot developments and an audacious ending. The script, unfortunately, tends to run out of control and strain credibility, but there are shades of the pathetic professor, ruined by unsuitable passion in The Blue Angel, in the tragedy that befalls Robinson.
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Halliwell's Film Guide
Daring but rather gloomy Hollywood melodrama, the first in which a crime went unpunished (though the culprit was shown suffering remorse). Interesting and heavily Teutonic, but as entertainment not a patch on the similar but lighter The Woman in the Wi